• Screenshot of a webpage titled 'C-print: A journal about contemporary art,' with a navigation menu featuring 'Home,' 'About,' and 'Projects,' and an article titled 'The Last Lifting of the Spoon' with a preface.

    The Last Lifting of the Spoon (2025).

    C-print. A journal about contemporary art.

    PDF

  • An online art critique page featuring a display of framed black-and-white photographs of individuals, with text headers about arts criticism, donation request, and graduate degrees in London.

    Tribes of England David Wright (2025).

    The Double Negative art criticism and cultural commentary.

    PDF

  • A promotional poster for the art exhibition 'Too Good To Hide' by Tony Hayes, featuring a photograph of a person with the exhibition title projected on a wall behind them, surrounded by website notices and event posters.

    Too Good To Hide Tony Hayes. (2024).

    The Double Negative art criticism and cultural commentary.

    PDF

  • Black and white photo of a man with a beard fixing his necktie in front of a mirror, seen from behind, with a woman partially visible in front of him. The man is dressed in a white shirt with suspenders.

    As She Likes It. Christine Beckett. (2024).

    The Double Negative art criticism and cultural commentary.

    PDF

  • An art exhibition featuring four framed artworks on a white wall, with a black hanging rod. The artworks depict colorful abstract figures or characters on pink backgrounds. The webpage includes sections on arts criticism, cultural commentary, and support for independent arts writing, with navigation options at the top.

    Over the Rainbow Richard Crooks’ Toyko Dayz. (2024).

    The Double Negative art criticism and cultural commentary.

    PDF

  • Street art mural of a large blue and pink snake emerging from an old stone bridge, with a person standing nearby.

    Up Deva Strange Visitors in Town. (2023).

    The Double Negative art criticism and cultural commentary.

    PDF

  • A black and white screenshot of a webpage titled 'Photomonitor: Under Investigation: ‘Just one more thing’'. The page features a menu with links to portfolios, exhibitions, interviews, essays, books, and experiments. Below the menu, there are five black and white photographs of urban and rural scenes, including a restaurant sign, a billboard, a parked car, a covered vehicle, and another car by a fence. The photographs are credited to Stephen Clarke, dated December 2020.

    Under Investigation Just one more thing. (2020).

    Photomonitor magazine for photography in the UK and Ireland.

    PDF

  • Title of journal article: "A Leap Forward at Toad Hall: David Ferry’s Seasonal Veteran and Vintage Cars in Colour" by Stephen Clarke from the University of Chester, UK. Spring 2020 issue.

    A Leap Forward at Toad Hall.

    David Ferry’s Seasonal Veteran and Vintage Cars in Colour. (2020). IMPACT Printmaking Journal. Issue 1.

    PDF

  • Sign on wall explaining that exhibits in the Period House have been altered, some might be improved, and warning that some rooms now contain adult themes not suitable for young children.

    Carry On Curating. Montage in the Museum. (2020).

    Book Arts Newsletter Impact Press at the Centre for Fine Print Research (130).

    PDF

  • A pink cowboy hat with a fluffy pink trim hanging in front of a window with a curtain depicting a cityscape, including a bridge and tall building, and a floral border on the side.

    Altered Images.

    An interview with David Ferry. (2019). The Blue Notebook Journal for artists books Bristol University of the West of England.

    PDF

  • A webpage with a black and white logo, navigation menu, and article about Niall McDiarmid. The main image shows a green table with red and yellow condiment bottles, a coffee cup, and a red and orange upholstered chair in a corner with green and brown walls.

    Making the Mundane Enigmatic Niall McDiarmid’s Southwestern. (2019).

    The Double Negative art criticism and cultural commentary.

    PDF

  • Cover of an art exhibition catalog titled 'Conversations in Sculpture' for Huddersfield Art Gallery, with a plain teal background.

    Yomping advances in British sculpture. (2019).

    In catalogue for exhibition Conversations in Sculpture. Huddersfield Art Gallery (6th July – 28th September 2019). Published by Kirklees Council - Royal Society of Sculptors.

    PDF

  • A gallery webpage showcasing works by Stephen Clarke and David Ferry titled 'The Edible Delights of Great Britain,' featuring a series of images of desserts and baked goods set against mountainous landscapes.

    David Ferry The Edible Delights of Great Britain. (2019).

    Photomonitor magazine for photography in the UK and Ireland.

    PDF

  • A webpage with a header titled "The Double Negative" and a main article about Tom Wood's photographs, featuring an image of a welding or metalworking process with sparks and bright light, surrounded by various navigation and advertisement elements on the webpage.

    Profile Tom Wood’s photographs are about photography. (2019).

    The Double Negative art criticism and cultural commentary.

    PDF

  • A website page featuring an article titled 'For The Love Of Our Fathers: Art And Football' with a large photo of a street scene showing a crowd of football fans outside a brick building. The page has colorful side banners, including a red box urging support for independent arts writing, a green box about postgraduate degrees, and an orange box promoting Liverpool Biennial 2025.

    For The Love Of Our Fathers Art And Football. (2018).

    The Double Negative art criticism and cultural commentary.

    PDF

  • A sculpture made of interconnected clay bricks resembling a dog, consisting of various colors including white, brown, and terracotta, displayed on a gray background.

    Richard Crooks Lightening the Load. (2018).

    Ceramics Monthly The American Ceramics Society.

    PDF

  • Black and white photograph of a street scene with two children in winter clothing, one with a bicycle, and various items displayed on the ground. Graffiti-covered wall in the background.

    Stepney Words III. Review of the book of the same title by Ron McCormick and Chris Searle. (2018).

    Description goes hereOpen Eye Gallery Blog.

    PDF

  • Gallery of images showing landscapes, including what appears to be a beach scene, a river with trees, a crowd watching an outdoor event, and a coastal cliff with grass.

    Simon Roberts Merrie Albion Landscape Studies of a Small Island. (2018).

    Photomonitor magazine for photography in the UK and Ireland.

    PDF

  • Screenshot of a website called The Double Negative featuring an article titled 'Richard Crooks: Impressions From A Journey,' with a video of Richard Crooks holding a sculpture and addressing the camera, in an industrial-style space with brick walls.

    Richard Crooks Impressions from a Journey. (2017).

    The Double Negative art criticism and cultural commentary.

    PDF

  • Black and white photograph of a person standing on a snow-covered hill in a forest, gazing into the distance amidst leafless trees.

    No Plan B Photographs 1993-2016. (2017).

    Open Eye Gallery Blog.

    PDF

  • Close-up image of a dark-colored, illuminated, textured object, possibly an art installation or sculpture, with bright blue and white lighting.

    Endings and Beginnings of a Nuclear Power Station Power in the Land. (2017).

    The Double Negative art criticism and cultural commentary.

    PDF

  • Three vintage toy soldiers dressed as Mexican revolutionaries, holding rifles, displayed in a wooden box.

    A New West.

    Ron McCormick. Royal Photographic Society Contemporary Photography Journal (Winter 2017).

    PDF

  • A man in a purple patterned outfit standing in front of a green and purple building.

    Niall McDiarmid British Portraits. (2016).

    Photomonitor magazine for photography in the UK and Ireland.

    PDF

  • A webpage header for 'The Double Negative' art criticism and cultural commentary publication, featuring a black and white photo of a girl in a knitted dress with a red dot on her knee, overlaid with a circular highlight and a text box labeled 'Dancing Queen.' The page also contains various navigation menus, a 'Donate!' button, and an advertisement for the Royal College of Art.

    An Archaeological Impulse.

    Robin Tarbet. (2014). The Double Negative art criticism and cultural commentary.

    PDF

  • Screenshot of a webpage from Photomonitor about Ron McCormick's exhibition titled 'How Green Was My Valley', featuring an image of a building and gallery details.

    Ron McCormick How Green Was My Valley. (2016).

    Photomonitor magazine for photography in the UK and Ireland.

    PDF

  • A page from a book or magazine showing a photo of the Big Ben clock tower in London, with a large rock formation in the foreground that covers part of the tower. The image appears to be a collage or edited photo.

    David Ferry The Gentle Flavours of Surrealist Chewing Gum. (2016).

    Imprint Magazine. The Quarterly Journal of the Print Council of Australia.

    PDF

  • Screenshot of a website titled 'Photomonitor,' featuring a collection of images under the section 'Resort 1 / Resort 2.' The images depict people at a party or amusement park and costumes or themed scenes, with navigation options like 'Portfolios,' 'Exhibitions,' 'Interviews,' 'Essays,' 'Books,' and 'Experiments.'

    Anna Fox. Resort 1/Resort 2 (2016).

    Photomonitor magazine for photography in the UK and Ireland.

    PDF

  • Black and white photo of a stone structure on a grassy hillside overlooking the sea, with cloudy sky above, on a webpage with arts and culture articles.

    Across a Painted Sea.

    Cian Quayle. (2015). The Double Negative art criticism and cultural commentary.

    PDF

  • Screenshot of a website titled 'Photomonitor: Post-Photography: The Artist with a Camera' with a menu, a book cover for 'Post-Photography: The Artist with a Camera' by Robert Shore, and text about the book including publisher, price, and review.

    Post-Photography The Artist with a Camera. (2014).

    Photomonitor magazine for photography in the UK and Ireland.

    PDF

  • Cover of Contemporary Photography magazine from Winter 2014 featuring a senior man in a suit talking on a rotary phone in a living room with a crucifix on the wall and a toy dinosaur on the couch.

    Simon Roberts Travelling with others.

    The Royal Photographic Society Contemporary Photography Journal (Winter 2014) (54).

    PDF

  • Screenshot of a website page featuring an article titled "Look And Look Again: David Ferry" with colorful Christmas-themed glass ornaments and souvenirs in the image section. The website header includes sections like Arts criticism & cultural commentary, Field Trip, Playlist, Culture Diary, Shop, Little Black Book, and a prominent red box with the message "Support Independent Arts Writing." There are also advertisements and links for further exploration.

    Look and Look Again David Ferry. (2014).

    The Double Negative art criticism and cultural commentary.

    PDF

  • Screenshot of a website page titled 'Housing Estates 1979-1981' with a black-and-white photo of a housing estate, navigation links for 'Portfolios', 'Exhibitions', 'Interviews', 'Essays', 'Books', and 'Experiments', and options to select books and search.

    Housing Estates 1979-1981. (2014).

    Photomonitor magazine for photography in the UK and Ireland.

    PDF

  • Screenshot of a website titled 'Photomonitor: Photography Today' featuring a book titled 'Photography Today' by Mark Durden, with details about the book including publisher, price, and review.

    Photography Today. (2014).

    Photomonitor magazine for photography in the UK and Ireland.

    PDF

  • Screenshot of a webpage titled "National Photography Symposium" discussing Stephen Clarke's statement "I'm not a real photographer." The page features navigation links, text about Keith Arnatt's artwork, and logos for the event and Redeye, The Photography Network.

    I’m not a real photographer. (2014).

    National Photography Symposium in association with Redeye The Photographic Network.

    PDF

  • A webpage from The Double Negative arts magazine featuring an article titled "Maps Of A Wretched Past: Patrick Altes" with a collage artwork showing a figure in a barren landscape, surrounded by abstract and layered visual elements.

    Maps of a Wretched Past Patrick Altes. (2014).

    The Double Negative art criticism and cultural commentary.

    PDF

  • Screenshot of a website titled 'Photomonitor: Breaking the Code of Silence' with a portrait of a woman and text detailing an exhibition review.

    Letizia Battaglia Breaking the Code of Silence. (2014).

    Photomonitor magazine for photography in the UK and Ireland.

    PDF

  • Art installation composed of stacked vintage television sets arranged in a cluster.

    An Archaeological Impulse Robin Tarbet. (2014).

    The Double Negative art criticism and cultural commentary.

    PDF

  • A website page titled "Tom Wood: Landscapes" with a small image of a waterfront parking lot, a vintage green car, and people near the water, along with text providing contact details.

    Tom Wood Landscapes. (2014).

    Photomonitor magazine for photography in the UK and Ireland.

    PDF

  • A webpage displaying an art piece titled 'Filthy things at the dump' by Stephen Clarke and David Ferry, dated January 14, 2014, featuring a large brown cylindrical trash bin with a circular floral arrangement on its side, flanked by red and white candy cane striped columns and a list of contributors on the left side.

    Filthy things at the dump. (2014).

    In collaboration with Prof. David Ferry. slashseconds (14).

    PDF

  • Web page titled "Child of the Bomb" with a painting of a rural landscape and a cart carrying rocket launchers.

    Child of the Bomb (2013).

    In collaboration with Peter Kennard. slashseconds (14).

    PDF

  • Cover of The Royal Photographic Society magazine titled 'Contemporary Photography', showing a kitchen scene with a pink wall, a white refrigerator, a small table with a melon and black bowl, and a rainbow-colored pencil holder on top of the fridge.

    Repeat Performance Eva Stenram’s Photographic Acts.

    The Royal Photographic Society Contemporary Photography Journal Autumn 2013 (53).

    PDF

  • A black plastic bag hanging from a tree branch with green leaves.

    John Darwell DDSBs (Discarded Dog Sh-t Bags). (2013).

    Redeye The Photographic Network.

    PDF

  • Photo of an art exhibit display featuring a large printed landscape of green hills, mountains, and trees with a lake, and a small wooden cabin. The display is positioned indoors against a plain white wall.

    Still Outside (or Unexplained) at Open Eye Gallery Liverpool. (2013).

    Redeye The Photographic Network.

    PDF

  • Book cover titled 'English Aquariums in Country Houses in Colour' by David Ferry, featuring a collage of country house architecture, green leaves, and various fish in the foreground.

    Lost and Found the archival artist (2013).

    In collaboration with Prof. David Ferry. slashseconds (13).

    PDF

  • Cover of a magazine titled 'Contemporary Photography' by the Royal Photographic Society, Winter 2013 issue, featuring a display of mannequin torsos and backs varying in skin tones and textures, with a reflection of the sky and clouds in the background.

    Nice and Naughty The Photomontages of David Ferry. (2013).

    The Royal Photographic Society Contemporary Photography Journal Winter 2013 (50).

    PDF

  • View of an industrial area with a brick building in the foreground and a large pipeline running above it, with power lines and factory structures in the background.

    The dog has his day. Keith Arnatt art and photography.

    The Royal Photographic Society Contemporary Photography Journal (Spring 2012) (47).

    PDF

  • Newspaper article titled 'Look or look away?', includes a black and white photo of a nuclear explosion and a headline about dropping a bomb on Nagasaki in 1945.

    Look or Look Away. (2012).

    Review of the book Picturing Atrocity Photography in Crisis by Mick Gidley et al. The Art Newspaper (International Edition) Frieze Art Fair Special.

    PDF

  • A black and white photo of a boy playing in the sand with a small shovel, near a stone wall and some buildings in the background.

    Street Life at Oriel Colwyn North Wales. (2012).

    Redeye The Photographic Network.

    PDF

  • Screenshot of the Redeye Photography Network website showcasing an exhibition titled 'Topophobia'. The image features a black and white photograph of a large tree with leaves and branches, and a folded paper sculpture resembling a tree or landscape, placed in front of the photograph.

    Topophobia at Bluecoat Liverpool. (2012).

    Redeye The Photographic Network.

    PDF

  • Black and white photo of a person riding a bicycle on the sidewalk, smiling and reaching out to touch a fence on a city street.

    Like you’ve never been away. Paul Trevor at the Walker Art Gallery Liverpool. (2011).

    Redeye The Photographic Network.

    PDF